![]() There definitely was a void to be filled for those who still worshipped at the altar of echo and bombast despite the ever changing trends of popular music. With less coverage in the music papers and newsletters, Spector fans were more in the dark about upcoming projects than they’d ever been. But come the 70s, the output dwindled – and even though Spector was still very much in demand, working with John Lennon and George Harrison as his most high-profile ventures, news about future plans and projects became infrequent. ![]() The previous decade had been Spector’s golden era with a steady flow of fantastic productions coming out of Gold Star studios. In terms of the 70s, it’s fascinating to look back on this phase of Spector’s career and the lust for news, ANY news, felt by the admirers of his sound in Europe and the US. If you’d like to read the lengthy blog post about the PSAS, go here:įor my interview with the founder of the PSAS, click here: I was even able to follow-up with an interview with Paul Dunford who formed the PSAS in 1975. More than a year ago I devoted some blog posts to the history of Spector fandom, specifically focusing on the UK based Phil Spector Appreciation Society (PSAS) that was active during the second half of the 70s.
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